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Print • Adult • Studio Sampler • Fri (Jul 24 - Aug 14) • Pay What You Can • MAIN

$250

with Kai Blake-Leibowitz

Calendar Jul 24, 2026 at 6 pm, runs for 4 weeks

Each week our instructor will lead students through introductory techniques for different types of printmaking such as relief (carving into a block), monotype (one-of-a-kind prints made by layering objects on a plate), and intaglio (scratching an image into a surface). You'll learn all this as well as how to measure and tear paper, mixing and applying ink, and the basics of using the printing press.

Ages: 16+

All supplies and materials will be provided.

Sampler classes DO NOT include open studio time.

This class is Pay What You Can with a suggested price of $250.

Will be available to register on Thursday, May 26 at 8:00am.

Crossover (Clay/Glass/Wood/Metal/Print) • Adult • Exploring Through Spoons • 5 Day Adult Camp (Aug. 3 - Aug. 7) • 1:00pm - 4:00pm • MAIN

$310

with Codey Davis

Calendar Aug 3, 2026 at 1 pm, runs for 1 week

Big spoon or little spoon? You don't have to pick in our very first 5-studio crossover class: Exploring Through Spoons!

In this Adult Summer Camp, you'll get a lightning fast introduction to our Clay, Glass, Wood, Metal, and Print studios. Each week, the students will be in a different studio learning the material through the ancient practice of spoon (or spoon related object) making (seriously, spoons are, like, 3,000 years old)! The schedule will be as follows:

Day 1 Clay -  Students will be in the clay studio making hand-built spoon crocks
Day 2 Glass - Students will be in the glass studio making fused spoon rest
Day 3 Wood - Students will be in wood studio learning how to carve a spoon
Day 4 Metal - Students will be in the metal studio learning how to forge a ladle
Day 5 Print - Students will be in the print studio learning linocut to make a 1 of a kind spoon-related print culminating in a display of craftsmanship for the ages.

Ages: 16+

This class will be co-taught by an expert in each studio. Clay (Codey Davis), Glass (Laura Beth Konopinski), Wood (Dennis Mulherin), Metal (James Makely), and Print (Akane Kleinkopf).

This class takes place at Groundworks Main at 3750 Canfield St.

This class does NOT include extra open lab time. All work must be completed during class time. 

Will run

Workshop • 3 - Day Homemaking Gone Awry: Sewn Glass with Susan Taylor Glasgow

$400

with Susan Taylor Glasgow

Calendar Oct 23, 2026 at 4 pm, runs for 1 week

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, January 9 (4-7pm), Saturday, January 10 (9am-5pm), Sunday, January 11 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/





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