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Wood • Adult • Level I: Woodworking • Fri (May 29 - June 19) • $280 • MAIN

$280

with Leandro Barriga

Calendar May 29, 2026 at 5:30 pm, runs for 4 weeks

Curious how to use milling machinery– table saw, chop saw, jointer, and plainer? This beginner-level class will focus primarily on milling: the fundamental process of measuring, cutting, and preparing wood for a project. Over the course of 4 weeks, you'll learn how to safely use several of our milling machines to cut and shape wood, as well as some of the basics of joinery (joining pieces of wood together), and shaping and finishing with hand tools. We'll walk you through the whole process of creating a simple but beautiful functional piece that you'll want to brag to all your friends about.

This class has no prerequisites and is open to beginners and seasoned woodworkers alike, but our Wood Studio has some safety basics before anyone is allowed to join in the fun (failure to meet these requirements will result in not being granted access to the equipment): 

  •  Please come dressed in close-toed shoes, a shirt that can be tucked in and either short sleeves, or sleeves that can be rolled up past your elbows. 
  • No loose or dangling jewelry.
  • If you have long hair, please have it securely tied back from your face.
  • We will provide safety goggles and/or full face shields, ear protection, and face masks to cover nose and mouth, but if you have your own PPE you would prefer to use, please do!

Ages: 16+ 

All supplies and materials will be provided. 

These classes include open studio time.

Will be available to register on Monday, March 30 at 8:00am.

 

Print • Adult • Studio Sampler • Fri (May 29 - June 19) • Pay What You Can • MAIN

$250
Calendar May 29, 2026 at 6 pm, runs for 4 weeks

Each week our instructor will lead students through introductory techniques for different types of printmaking such as relief (carving into a block), monotype (one-of-a-kind prints made by layering objects on a plate), and intaglio (scratching an image into a surface). You'll learn all this as well as how to measure and tear paper, mixing and applying ink, and the basics of using the printing press.

Ages: 16+

All supplies and materials will be provided.

Sampler classes DO NOT include open studio time.

This class is Pay What You Can with a suggested price of $250.

Will be available to register on Monday, March 30 at 8:00am.

Will run

Workshop • 3 - Day Homemaking Gone Awry: Sewn Glass with Susan Taylor Glasgow

$400

with Susan Taylor Glasgow

Calendar Oct 23, 2026 at 4 pm, runs for 1 week

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, January 9 (4-7pm), Saturday, January 10 (9am-5pm), Sunday, January 11 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/





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