Participants will create relief prints while exploring experimental approaches that move beyond the traditional edition. Demonstrations will include modular collaborative prints, wall chine collé installations, modular print construction, and alternative methods for displaying, layering, and transforming prints. Through these techniques, participants will discover new ways to expand relief printmaking into one-of-a-kind artworks, layered compositions, and larger installations.

In addition to creating relief prints, participants will see demonstrations of several experimental techniques Salvator uses in her own studio practice. By using individual prints as modules for larger compositions and installations, participants will discover approaches that can expand the possibilities of their own printmaking and artistic practice.

Participants will leave with a series of relief prints, practical knowledge of several experimental techniques, and new ideas for transforming prints into unique artworks, modular compositions, and installations.

Marilee Salvator is an interdisciplinary artist and Professor of Art at Western Kentucky University. She received a BFA in Printmaking from Illinois State University and an MFA in Printmaking from the University of New Mexico. With over twenty years of teaching experience, she enjoys helping artists expand traditional printmaking through experimentation, material exploration, and creative problem-solving. Her work has been exhibited internationally and combines printmaking, sculpture, and installation.

Hearts - like glass - are prone to both melting and breaking. That's why Groundworks Art Lab's Glass Studio is the best spot for a Date Night! Bring your sweetheart, your sibling, a pal, or just yourself for this beginner-friendly class and fall in love with a new hobby. The projects and tools will vary from week to week, so you may find yourself making a set of custom glass coasters, or a fused glass suncatcher; you may even find yourself melting and reforming glass by hand with a little flame-working! No matter what the project, this class will shatter your date's expectations and you'll come away with a hand-made art piece you can cherish.

Please come dressed in close-toe and heel shoes, and natural material clothing, i.e. cotton or linen, long pants are recommended.No loose or dangling jewelry, long earrings or scarves.If you have long hair, please have it securely tied back from your face.We will provide safety goggles, but if you have your own and would like to bring them, please do!

Ages: 18+PLEASE NOTE:

⁃ Date Night tickets are non-refundable. If you need to change or reschedule your reservation, please do so by 5:00pm on the Monday before your scheduled Date Night. No transfers are allowed after 5:00pm on the Monday prior to your Date Night.

⁃ Registrations are not transferable to another person. If you would like to purchase a class on someone’s behalf, the intended registratrant’s information must be provided at the time of registration.

⁃ Date Night tickets may only be rescheduled one time the Monday before. No exceptions! 

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, October 23 (4-7pm), Saturday, October 24 (9am-5pm), Sunday, October 25 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/