Curious about adding texture to your work, but don't know where to begin? Join us for this texture focused adult camp. During the first part of the week, students will learn a variety of texturing techniques such as carving with different tools, additions (both with and without stamps/rollers), decorating with holes, and slip trailing. During the second half of the week, students will learn how to finish their pieces by bringing their textures alive. How do stains and unglaze play a part in highlighting texture? How does glaze selection impact the texture underneath? Pieces will be fired by the studio and ready for pick up a few weeks after the camp ends.

This class will take place in the hand-building studio at Groundworks Main, 3750 Canfield St. Boulder, CO

Ages 16+

Summers are always muggy, so why not come learn how to make a beautiful hand-built mug? This adult camp will spend the first part of the week focusing on what it takes to construct a functional hand-built mug. The ins and outs of weight, drinking lips, handle placement and more and how that can affect your finished pieces. The second half of the camp will turn to surface decoration and ways to decorate beyond just glazing. Students will have the opportunity to make 2 or 3 mugs a piece to explore their different ideas and try out the different techniques. Pieces will be fired by the studio and ready for pick up a few weeks after the camp ends. 

This class will take place in the hand-building classroom upstairs at Groundworks Hill, 1010 Aurora Ave. Boulder, CO

Ages 16+

Ever throw something on the wheel and want to repeat it, but you’re not sure where to start? Come figure out the form in this week long adult clay camp! In this camp, students will pick a shape and work on repeating it to learn consistency in throwing and how to make a uniform set. In ceramics repetition is key to getting the form just right. Come learn some techniques and tricks to making this happen along with plenty of wheel time to practice! This camp is all about the process and not about the product. Students won’t keep anything which leaves room to let go and explore without the pressure of completion. By the end of camp, students will have a much better understanding of what goes into making a repetitive shape that will greatly improve their throwing skills for sets in future classes. 

This class will take place at Groundworks Main, 3750 Canfield St. Boulder, CO

Ages 16+

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, January 9 (4-7pm), Saturday, January 10 (9am-5pm), Sunday, January 11 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/