Always wanted to get involved in a pottery studio, but didn't know where to start? This class is a great intro to the studio in 5 short weeks!

This class is intended to get you familiar with the basics of wheel-throwing and hand-building. Students will have 2 weeks of throwing instruction, one week of trimming, one week of hand-building, and one week of glazing. This class is ideal for those who have limited experience and want to learn the basics of the pottery studio, with a short instructor demo and hands-on assistance each week.

Please note: This class does not include Open Lab hours or additional clay.

Ages 16+ to register

Class meets weekly on THURSDAYS.

 All pieces will be fired to Cone 6 in a reduction kiln.

This class is Pay What You Can with a suggested price of $200

Will be available to register on Monday, July 27 at 8:00am.

Participants will create relief prints while exploring experimental approaches that move beyond the traditional edition. Demonstrations will include modular collaborative prints, wall chine collé installations, modular print construction, and alternative methods for displaying, layering, and transforming prints. Through these techniques, participants will discover new ways to expand relief printmaking into one-of-a-kind artworks, layered compositions, and larger installations.

In addition to creating relief prints, participants will see demonstrations of several experimental techniques Salvator uses in her own studio practice. By using individual prints as modules for larger compositions and installations, participants will discover approaches that can expand the possibilities of their own printmaking and artistic practice.

Participants will leave with a series of relief prints, practical knowledge of several experimental techniques, and new ideas for transforming prints into unique artworks, modular compositions, and installations.

Marilee Salvator is an interdisciplinary artist and Professor of Art at Western Kentucky University. She received a BFA in Printmaking from Illinois State University and an MFA in Printmaking from the University of New Mexico. With over twenty years of teaching experience, she enjoys helping artists expand traditional printmaking through experimentation, material exploration, and creative problem-solving. Her work has been exhibited internationally and combines printmaking, sculpture, and installation.

Always wanted to try the potter's wheel, but didn't know where to start? This class is a great intro to the wheel in 5 short weeks!

This class is intended to get you familiar with the basics of throwing on the potter's wheel. Students will have 3 weeks of throwing instruction, one week of trimming, and one week of glazing. This class is ideal for those who have limited experience and want to learn the basics of centering, trimming and glazing, with a short instructor demo and hands-on assistance each week.

Please note: This class does not include Open Lab hours or additional clay.

Ages 16+ to register

Class meets weekly on SUNDAYS.

This class is Pay What You Can with a suggested price of $200.

All pieces will be fired to Cone 6 in a reduction kiln.

Will be available to register on Monday, July 27 at 8:00am.

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, October 23 (4-7pm), Saturday, October 24 (9am-5pm), Sunday, October 25 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/