Join us at Groundworks Art Lab's Date Night! Our instructors will get you set up and working together on potters' wheels for a few hours of dirt and fun.

Make a piece, we'll glaze and fire your favorite one, then give you a call when it's ready in 4-6 weeks.

For any additional pieces you would like glazed and fired, there is a $5 fee per piece.

It's good to wear some clothes you can get dirty and shorter nails will be helpful. :)

Each participant will need their own registration to participate.

Clay and tools are included. 

Must be 18+

PLEASE NOTE:

⁃ Date Night tickets are non-refundable. If you need to change or reschedule your reservation, please do so by 5:00pm on the Monday before your scheduled Date Night. No transfers are allowed after 5:00pm on the Monday prior to your Date Night.

⁃ Registrations are not transferable to another person. If you would like to purchase a class on someone’s behalf, the intended registratrant’s information must be provided at the time of registration. 

⁃ Date Night tickets may only be rescheduled one time.

Bring a Bestie, your Bae, or even your Baba for a night of creating. Our instructor will get you set up on a project for a few hours of ink and fun. You will try your hand at printing by mixing and rolling ink, and learning the process to make prints. *Don't forget to wear or bring clothes you don't mind getting inky! Fabric ink will not wash out.

PLEASE NOTE:

⁃ Date Night tickets are non-refundable. If you need to change or reschedule your reservation, please do so by 5:00pm on the Monday before your scheduled Date Night. No transfers are allowed after 5:00pm on the Monday prior to your Date Night.

⁃ Registrations are not transferable to another person. If you would like to purchase a class on someone’s behalf, the intended registratrant’s information must be provided at the time of registration.

⁃ Date Night tickets may only be rescheduled one time.

This two‑day workshop introduces students to the versatility and precision of slab construction through the use of custom templates. Designed for both functional and sculptural makers, the class emphasizes thoughtful planning, clean construction, and the creative potential of working with flat clay transformed into dimensional form.

On Day One, we'll begin with demonstrations on how to design and make effective templates using roofing felt (tar paper). Students will learn how to translate ideas into flat patterns, how to account for clay thickness and joinery, and how to use templates to create repeatable forms. The afternoon shifts into guided studio time, where participants will sketch, refine, and cut templates for their own projects—whether vessels, boxes, architectural forms, or abstract sculptural components.

On Day Two, students move from planning to building. With their templates ready, they will construct one or more pieces, gaining hands‑on experience in assembling slabs, reinforcing seams, shaping curves, and troubleshooting common structural challenges. Individual guidance will support each student’s creative direction.By the end of the workshop, participants will leave with new skills, personalized templates they can reuse in their home studios, and a deeper understanding of how slab building can expand both functional and sculptural possibilities in clay.

This is an advanced beginner workshop so some prior clay experience is recommended.

About the Instructor: 

Bebe Alexander has been a professional ceramic artist and educator for over 35 years. Her sculptural and functional works draw from both the built environment and the rural landscapes of her upbringing, referencing architecture, industrial forms, and the quiet presence of man‑made structures in the natural world.

In addition to her studio practice, Bebe has been deeply involved in ceramics education. She began teaching at the Arvada Center in 1991 and went on to lead the ceramics program as Ceramics Program Coordinator from 1996 through 2024, fostering a vibrant community of makers.

Her work is held in numerous public, private, and corporate collections, including The Kirkland at the Denver Art Museum.

To see more of Bebe Alexander's work, check out her instagram @bebealexanderclay

Please Note: Firing service is not included; if you wish to fire your pieces an additional fee will apply based on the size of the items.

This class takes place at Groundworks Main (3750 Canfield St.)

The class will run 12:00-5:00pm both days with a break for lunch. We will provide light refreshments, but please plan to pick up or bring your own lunch. 

Ages: 16+

Susan Taylor Glasgow will share her unique style of sewing glass components together to make complex and exciting objects.  In this multi-day workshop,  students will learn pattern making, and advanced cutting skills*. We'll work with traditional hand glass cutting tools and also glass saws and Dremels, all while building a 3-dimensional house!

*Students need experience with cutting sheet glass.

Friday, January 9 (4-7pm), Saturday, January 10 (9am-5pm), Sunday, January 11 (9am-5pm)

Note: We will have a lunch break on Saturday and Sunday; please bring your own brown bag lunch for those days.

Ages: 16+

ARTIST BIO: Glasgow grew up in Duluth, Minnesota. She graduated from the University of Iowa with a BFA in Design. Her sculptures are included in the collections of the Arkansas Arts Center, Little Rock, AR, the Alexander Tutsek Foundation, Münich, Germany, the Carnegie Museum of Art, Pittsburg, PA, the Chrysler Museum of Art, Norfolk, VA and the Museum of American Glass, Millville, NJ.  Susan Taylor-Glasgow lives and works in Columbia, Missouri.

Each sewn glass sculpture starts out as a flat sheet of glass. In her previous life, Glasgow was a professional dressmaker and seamstress, so had created a comfortable understanding about how to take a flat sheet of material and give it form. In her sculptures, each glass panel is cut from a pattern designed to match the form for which it was made. To establish the three-dimensional shape and holes, each section of the glass is kiln-fired several times. The imagery is embedded into the glass by sandblasting, and then by rubbing glass enamels into the blasted area to create the black and gray photo-like quality. The components are then re-fired to 1250 degrees to melt the enamel into the glass. Once cooled, the sections are finally sewn together. Depending on the complexity of the vessel or sculpture, the entire creative process may take two to four weeks to complete.

Artist website: http://www.taylorglasgow.com/category/available-work/

Hello and welcome! If you're a brand new student to our studios, you will need to set up a Coursestorm account before registering for classes. However, setting up an account can take time during the registration process and with our classes getting so popular, that time is very valuable.

By registering for this very not real class, you'll be prompted through the account set up process and Coursestorm will securely save all of your info so you can breeze through the registration process when the time comes. Just make note of your user name/email and password!

Welcome to Groundworks Art Lab, where we believe that art is for everyone!